MTV Circa 1994, Soundgarden, and my Grandma

It is sad to me that children of this new generation and future generations will never know of the wonder that was MTV in the early-mid 1990’s. MTV at that time was cutting edge and unbelievably cool. I used to spend countless hours by myself or with the few neighborhood friends I had at the time, watching videos and discovering the outside world through them. I wanted to know what they were blurring out in the Dr. Dre and Snoop Doggy Dogg videos so bad! Where were those luscious green fields in the video for “No Rain”? At that time MTV’s primary output was videos and tons of them all put into nice blocks or shows called 120 Minutes, Yo! MTV Raps, and others that I don’t recall. I could always depend on Kurt Loder’s boring face or Tabitha Soren’s red locks of hair interrupting these videos with tidbits of news now and again. It would be hard for me to relay to someone in their late teens or younger how awesome MTV was. They only know it as a purveyor and charlatan of shit programming that reflects no one’s idea of what real life actually is or can be. At that time the only reality show probably was The Grind and the only reality that show featured was the people liked to dance to music for an hour or so. Can you believe people actually watched a show where people danced for an hour? Did anyone actually watch this? They must have it was on for what seemed like 8 years. But I digress, MTV is not what it once was.

In those formative years, being 9-10 years old, the videos that MTV played and their images have etched or branded themselves into my brain. I can still recall those videos and exactly how they have stuck and never went away. Snoop Doggy Dogg in a Pittsburgh Penguins jersey riding a bike with an afro, Blind Melon’s tap-dancing bee girl, Nirvana sitting in a hospital room in “Heart-Shaped Box”, the backyard cook out rocket take off from the Smashing Pumpkins, Coolio putting all those damn people in the trunk of a car, Eddie Vedder climbing the walls and crowd surfing in “Evenflow”, all of these videos and so many more have stuck with me through the years. But there is one video that has stuck with me the longest and resonates with me the most right now at this point in my life: Soundgarden’s “Black Hole Sun” 

I remember the summer of 1994 sticks into my head very vividly because of this video. “Black Hole Sun” reminds me of going to visit my grandparents in Lackawanna, New York (a little outside of Buffalo). My parents would go mingle and sit on their porch, and me bored, awkward, anti-social (I mean I was nine? What 9 year old wants to sit on the porch and fucking talk?) would go sit in their front room and watch TV. I would sit there all day and watch videos. It is sort of funny that one of the darkest and weirdest videos MTV was playing at the time somehow reminds me of the warm feelings that I felt then going to my grandparents. Somehow the Barbie doll melting on the grill, the girl with the melting ice cream, and the weird creepy smiles have some how rolled into feelings of love, warmth, and grandparents pushing food to create this one big nostalgic cluster-fuck. It is almost as if the blazing Kim Thayil guitar solo heated the roast beef my grandma would make; the flashing images of the carnage at the end of the video searing my frontal lobe as a camera does to a Polaroid picture. Turns out that my brain, like a camera, was capturing this moment too. Somehow, this video provided by the fine band Soundgarden and MTV reminds me of one of the most purely happy times in my life. 

Somehow MTV, Soundgarden, and my grandparents all became intertwined in this really positive thing in my life that resonates with me very much to this day and will no doubt continue to do so. I write this article for my grandma because I want to thank her for all that love, warm food, and endless supply of soda in the basement. As she lays in a hospital bed with not much time left, I want to thank her for this moment in time that makes me so happy when I think about it. I love you grandma. Sorry I used some swear words while writing this. Thank you for everything all these years, especially for creating a warm loving home all those years when I was a kid. Thank you for being there in the summer of 1994.

Beck as an artist for me has seen better days. His last 3 albums post-Sea Change have been boring to me and have just not come together well. But Beck the producer, especially in 2011 has been excellent. He has teamed up with Thurston Moore and Stephen Malkmus to create two of the best albums of the year; Demolished Thoughts and Mirror Traffic, respectively. Beck has allowed each artist to retain their distinctive styles and guitar mastery while adding flourishes that I can only to be attributed to the gifts of Scientology. Beck’s hands are all over Demolished Thoughts in the overall psychedelic haze that hangs over the record and the string arrangements that accompany (and ultimately make) many of the songs. His handiwork is less prevalent on Mirror Traffic, but you can hear Beck’s influence shine through on “No One Is As I Be“‘s closing horn arrangement or the piano coda on “Share the Red”. It is so good to see these titans of 90’s alternative and indie rock merge forces to create solo albums that don’t harken back to the music of the past but potential sounds of the future. Now if only Beck could help Beck make an exciting album.



Scroll down for a “choice cut” off of Mirror Traffic

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Stephen Malkmus and the Jicks - “Stick Figures in Love” off the album Mirror Traffic

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Say what you will about Pitchfork, but over the years I have been able to find out about dozens of bands that I normally would never encounter because of their reviews and year end lists. This year was no different, as one of my favorite and best 2011 year end discoveries, was The Men.

One of the true problems with music today is that very very few bands can make decent heavy, aggressive music. That doesn’t mean bands aren’t trying, just that most of them are very bad at what they do. They always seem to come off as screamo, emo, nu-metal, or post-grunge bullshit. 1/10 bands that attempt to make heavy, angry music in today’s scene do it well. I crave the next Husker Du, Jesus Lizard, or Black Flag. Bands that made heavy music worth paying attention to. This year, in my opinion, we have had two steps in the right direction with The Men and Iceage. Two young bands that are pissed off and have the chops to show it.The Men have been able to incorporate drone, kraut-rock, punk, indie, and post-punk into a coherent blur of awesomeness. It’s easy to be heavy, but it’s not easy to make heavy music that can also be valued as art. Also, bonus points for already having a follow up album due in March. 2 years, 2 albums. What is this? 1967?

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Continuing Marmalade Cream’s Favorites of 2011 series…Keep checking back in!

 

Wilco’s The Whole Love, in my opinion, is their best album since A Ghost is Born. It may be even more consistent song for song than that album; needless to say it is their best, most coherent, and downright enjoyable work in years. I feel that it has been neglected on yearly best of lists because frankly people expect so damn much of Wilco that a consistently pleasant listen is not enough; they are expected to raise the bar by making computer noise for 45+ minutes. Whatever. I love this album its great, you should too.

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Broadcast was/is one of my favorite bands of the last 10 years. Lots of bands try to make forward looking music that integrates characteristics of the past, but few were as successful at it the way Broadcast was. Their music was strongly rooted in 60’s psychedelic pop but always looked forward to the electronic sounds of the 90’s and today. To me Broadcast existed in a universe where the 1960’s pop culture existed forever but we now had robot butlers, flying cars, and holiday vacations on Mars. Sadly Trish Keenan, the lead singer, passed away this year. But due to our futuristic technology, Broadcast will be releasing a new album using some of her recorded vocals. 

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My second entry in the my favorites of 2011 series of posts. Enjoy.



I have not listened to a single album this year as much as I have listened to Days by Real Estate. What I like about Real Estate is that they don’t try to reinvent the wheel. They just write good songs that feel nice when you are driving with the windows down in your car. Music for me is always about the songs; if you don’t at the core have a good song, you have nothing. Days to me feels like the summer when I was 20 every time I put it on. It’s special.



If you like this try everything by the Feelies post Crazy Rhythms. 

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I am going to be posting general things that I enjoyed from 2011 on this blog for the next 2 weeks or so. It is too difficult for me to come up with some list or rating system, so I figured this is the best way to at least get something out.



The War On Drugs - ‘Your Love Is Calling My Name’ off the album Slave Ambient

This song is all about the relentless beat. Something about this song makes me want to just go, just leave, forget my name and just start again. But then I start packing my bags and the song ends and I return to my life, because it’s not a 12 day long song and it’s hard to get anything done in 6 minutes. But heck, you can have one fantastic fantasy for six minutes right?!



If you like this: Check out the song ‘Baby Missiles’ from the same band and album.

          I have never written a love letter in my life. I never wrote one to a teenage crush, an idolized celebrity, anyone I’ve ever dated, or even my wife. I don’t know why I haven’t. Maybe because I could never adequately say what I always wanted to say or express how I felt without feeling vulnerable or embarrassed. So now at 26 years old I am going to write my first love letter, or rather an explanation of love. The focus of my affection is the album Siamese Dream by the Smashing Pumpkins. After a ton of reflection, this is my favorite album of all time. No other album makes me feel as good, nostalgic, romantic, and downright invincible time and time again. 
Music is interesting in the fact that music is not isolated and alone on an island. Music is surrounded by so many various things; world events, life events, a frame of mind, individual frames of reference, shitty arguments with shitty people, etc. And this is different for every single person in the world. I happened to grow up in the 90’s. I am endlessly nostalgic for this time. A time that was pre-internet and contained house phones. I also don’t think I would want to experience those years through any other lenses than that of a suburban kid who spent most of his days inside a fantasy world. To cut straight to the chase, there is no way I could enjoy Siamese Dream as much as I currently do if it was released today. Yes the music contained within the album is amazing, and it would assuredly be my ‘Album of the Year’ or some intellectual bullshit, but it would not have the same resonance. I fucking pay taxes now! I have a (currently) unfulfilling career! When SD was released in the summer of 1993 I was 8 years old. My life was amazing. It was nothing but summer evenings, still believing I was going to play in the NBA or MLB, days at the pool club, running through subdivisions and general bliss. No responsibilities. What a time to be alive! I didn’t really know it, but I got the general impression that there was something special about the early 1990’s. In that summer, alternative rock and grunge were humming along. It was like 1967 all over again (I realize that now). I had no knowledge of the world outside or the world as it was before. I only knew the world on a daily or future basis. My life was in my head full of fantasy and wonder. In that summer when MTV was king, the videos for ‘Today’, ‘Rocket’, and ‘Disarm’ seared themselves into my brain; into my subconscious. The dreamy surrealism of the ice cream truck ‘Today’ video and the childhood space travel fantasy of ‘Rocket’ made me feel good. It’s like Billy Corgan was just like me but older and taller or something. They were just so cool. I know of no other adjective to describe how I felt then, but imagining me being eight, I have to believe I really thought of no bigger words. 
          Back to Siamese Dream. To me Siamese Dream was so hopeful, so beautiful, and full of love and anger. It was the sound of a band (or a guy named Billy) that thought they were amazing but really weren’t totally sure of it yet. It was not yet completely validated. This throughout the history of music has always been where artists typically make their best work. They project confidence and act like they are unstoppable, but as they lay in bed at night they wonder if it is all bullshit and their dream is going to crumble away. This is how I imagine the Smashing Pumpkins in 1992/1993 as they recorded this album. With this mixture of emotion and timing they created a stunning album that has resonated with me for over 20 years, on every emotional level. When Billy sings, “Ask yourself a question/Anyone but me/Are you free?” through one of the most beautiful outro/codas in music history on ‘Hummer’, I can’t help but feel it on more than an auditory level. It’s almost the perfect 90’s line. The sense of dreaminess and freedom mixed with slacker attitude. I can’t think of another single album where there are sonic maelstroms of alternative angst (‘Cherub Rock’, ‘Geek USA’, ‘Silverfuck’) so masterfully intertwined with beautiful floating grace (‘Mayonnaise’, ‘Soma’, ‘Luna’). It also doesn’t hurt that Billy Corgan was able to somehow find the perfect guitar tone and sound at all times. 
This album to me is everything. It is innocence, it is imagination, it is bliss, it is beautiful, it is angry, and it is love.  It is why I still hold out hope for every new Smashing Pumpkins release and have love/hate battles with Billy Corgan daily. The ‘Pumpkins would go on to become huge stars. They would also create an outstanding double album, Mellon Collie and the Infinite Saddness. That album is also wonderful but by this time, Billy Corgan had always known that he was amazing, but now everyone told him so, so he couldn’t write the same type of songs that would resonate the way Siamese Dream’s do. He replaced the wide-eyed wonderment with pomp and circumstance. For me the Smashing Pumpkins, despite consistently being an excellent band until the original incarnation disbanded, would never recapture the glory of this album, but maybe nothing they could create would, because they could never recreate the way it feels being young an innocent. Somehow Billy knew how this album felt and what it captured. That is why he put two laughing little girls on the cover and why this is my perfect album
           

          I have never written a love letter in my life. I never wrote one to a teenage crush, an idolized celebrity, anyone I’ve ever dated, or even my wife. I don’t know why I haven’t. Maybe because I could never adequately say what I always wanted to say or express how I felt without feeling vulnerable or embarrassed. So now at 26 years old I am going to write my first love letter, or rather an explanation of love. The focus of my affection is the album Siamese Dream by the Smashing Pumpkins. After a ton of reflection, this is my favorite album of all time. No other album makes me feel as good, nostalgic, romantic, and downright invincible time and time again. 

Music is interesting in the fact that music is not isolated and alone on an island. Music is surrounded by so many various things; world events, life events, a frame of mind, individual frames of reference, shitty arguments with shitty people, etc. And this is different for every single person in the world. I happened to grow up in the 90’s. I am endlessly nostalgic for this time. A time that was pre-internet and contained house phones. I also don’t think I would want to experience those years through any other lenses than that of a suburban kid who spent most of his days inside a fantasy world. To cut straight to the chase, there is no way I could enjoy Siamese Dream as much as I currently do if it was released today. Yes the music contained within the album is amazing, and it would assuredly be my ‘Album of the Year’ or some intellectual bullshit, but it would not have the same resonance. I fucking pay taxes now! I have a (currently) unfulfilling career! When SD was released in the summer of 1993 I was 8 years old. My life was amazing. It was nothing but summer evenings, still believing I was going to play in the NBA or MLB, days at the pool club, running through subdivisions and general bliss. No responsibilities. What a time to be alive! I didn’t really know it, but I got the general impression that there was something special about the early 1990’s. In that summer, alternative rock and grunge were humming along. It was like 1967 all over again (I realize that now). I had no knowledge of the world outside or the world as it was before. I only knew the world on a daily or future basis. My life was in my head full of fantasy and wonder. In that summer when MTV was king, the videos for ‘Today’, ‘Rocket’, and ‘Disarm’ seared themselves into my brain; into my subconscious. The dreamy surrealism of the ice cream truck ‘Today’ video and the childhood space travel fantasy of ‘Rocket’ made me feel good. It’s like Billy Corgan was just like me but older and taller or something. They were just so cool. I know of no other adjective to describe how I felt then, but imagining me being eight, I have to believe I really thought of no bigger words. 

          Back to Siamese Dream. To me Siamese Dream was so hopeful, so beautiful, and full of love and anger. It was the sound of a band (or a guy named Billy) that thought they were amazing but really weren’t totally sure of it yet. It was not yet completely validated. This throughout the history of music has always been where artists typically make their best work. They project confidence and act like they are unstoppable, but as they lay in bed at night they wonder if it is all bullshit and their dream is going to crumble away. This is how I imagine the Smashing Pumpkins in 1992/1993 as they recorded this album. With this mixture of emotion and timing they created a stunning album that has resonated with me for over 20 years, on every emotional level. When Billy sings, “Ask yourself a question/Anyone but me/Are you free?” through one of the most beautiful outro/codas in music history on ‘Hummer’, I can’t help but feel it on more than an auditory level. It’s almost the perfect 90’s line. The sense of dreaminess and freedom mixed with slacker attitude. I can’t think of another single album where there are sonic maelstroms of alternative angst (‘Cherub Rock’, ‘Geek USA’, ‘Silverfuck’) so masterfully intertwined with beautiful floating grace (‘Mayonnaise’, ‘Soma’, ‘Luna’). It also doesn’t hurt that Billy Corgan was able to somehow find the perfect guitar tone and sound at all times. 

This album to me is everything. It is innocence, it is imagination, it is bliss, it is beautiful, it is angry, and it is love.  It is why I still hold out hope for every new Smashing Pumpkins release and have love/hate battles with Billy Corgan daily. The ‘Pumpkins would go on to become huge stars. They would also create an outstanding double album, Mellon Collie and the Infinite Saddness. That album is also wonderful but by this time, Billy Corgan had always known that he was amazing, but now everyone told him so, so he couldn’t write the same type of songs that would resonate the way Siamese Dream’s do. He replaced the wide-eyed wonderment with pomp and circumstance. For me the Smashing Pumpkins, despite consistently being an excellent band until the original incarnation disbanded, would never recapture the glory of this album, but maybe nothing they could create would, because they could never recreate the way it feels being young an innocent. Somehow Billy knew how this album felt and what it captured. That is why he put two laughing little girls on the cover and why this is my perfect album

           

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Tuesday 3: Underrated Guitar Players

Underrated and overrated are interesting concepts. These two concepts are generally nothing more than personal opinion. I still hold them to be appropriate though. Due to various causes or reasons, people, places, and things of all sorts don’t get the attention they deserve. Today’s focus is guitarist who I feel deserve more attention.

(These are in no specific order)

  1. Ricky Wilson (B-52’s) - Really original style, weird tunings, awesome rhythms. http://www.youtube.com/watch?v=wCp6YNalsUY
  2. John Cippolina (Quicksilver Messenger Service) - Acid-rock at it’s finest. Piercing tones. No one combined bends and the whammy bar better. He also has the coolest amp/guitar combo ever http://www.johncipollina.com/rockAmpStack.htm ; http://www.youtube.com/watch?v=FoKlLrwa4VE
  3. Stephen Malkmus (Pavement, The Jicks) - Incredibly melodic yet off-kilter leads. Combines his voice and guitar to great effect. His leads are never obvious, but they always make sense. http://www.youtube.com/watch?v=pUy72sVxvwc

Let me know if I missed anyone awesome.

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